It shocks one by its abrupt
but by no means fantastic transitions. The key color is
changeful, and the fluctuating themes are well contrasted. It was
written at Majorca while the composer was only too noticeably
disturbed in body and soul.
Presto con fuoco Chopin marks the second section. Kullak gives 84
to the quarter, and for the opening 66 to the quarter. He also
wisely marks crescendos in the bass at the first thematic
development. He prefers the E--as does Klindworth--nine bars
before the return of the presto. At the eighth bar, after this
return, Kullak adheres to the E instead of F at the beginning of
the bar, treble clef. Klindworth indicates both. Nor does Kullak
follow Mikuli in using a D in the coda. He prefers a D sharp,
instead of a natural. I wish the second Ballade were played
oftener in public. It is quite neglected for the third in A flat,
which, as Ehlert says, has the voice of the people.
This Ballade, the "Undine" of Mickiewicz, published November,
1841, and dedicated to Mlle. P. de Noailles, is too well known to
analyze.
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