He makes us see
"the old swallow-haunted barns,
Brown-gabled, long, and full of seams
Through which the moted sunlight streams,
And winds blow freshly in to shake
The red plumes of the roosted cocks
And the loose hay-mow's scented locks,"--
"the cattle-yard
With the white horns tossing above the wall,"--
the spring-blossoms that drooped over the river,
"Lighting up the swarming shad:"--
and
"the bulged nets sweeping shoreward
With their silver-sided haul."
Every picture is full of color, and shows that true eye for Nature which
sees only what it ought, and that artistic memory which brings home
compositions and not catalogues. There is hardly a hill, rock, stream,
or sea-fronting headland in the neighborhood of his home that he has not
fondly remembered. Sometimes, we think, there is too much description,
the besetting sin of modern verse, which has substituted what should be
called wordy-painting for the old art of painting in a single word. The
essential character of Mr. Whittier's poetry is lyrical, and the rush of
the lyric, like that of a brook, allows few pictures. Now and then there
may be an eddy where the feeling lingers and reflects a bit of scenery,
but for the most part it can only catch gleams of color that mingle
with the prevailing tone and enrich without usurping on it. This volume
contains some of the best of Mr.
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