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Various

"The Atlantic Monthly, Volume 06, No. 37, November, 1860"


"I should be happy to gratify you, gentlemen," he replied, "but
unfortunately I saw the picture painted." Nevertheless, certificates
were obtained from more facile authorities, and the painting officially
baptized for a market.
Certificates and documents need to be received as cautiously as the
pictures themselves; perhaps more so,--for they are more easily forged.
When genuine, the former are valuable only as they are the opinions of
honest and competent judges; and both are trustworthy only so far as
they are attached to the pictures to which they legitimately belong.
Genuine pictures have been sold and their documentary evidence kept for
skilful imitations. We have even detected in certificates the fraudulent
substitution of names. And sometimes, when honestly given, their
testimony is of no value. One professional certificate in our
possession, of the last century, ascribes the portrait in question to
Masaccio or Sauti di Tito: as sensible a decision as if an English
critic had decided that a certain picture of his school was either by
Hogarth or Sir Thomas Lawrence. Cases are indeed rare, even in the
public galleries, in which, outside of the picture itself, there is any
trustworthy historical testimony as to its genealogy.
Counterfeits of the old masters of the later Italian schools, supported
by false evidence, have at various times deceived good judges and
obtained posts of honor in the galleries of Europe.


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