The
ideal informs the actual. This is the way the intellect detaches and
gets expressed. It is not its own interpreter, and, like everything
else, is only one side of a law which is explained by the other side.
The mind is the cope and the world the draw, to use the language of the
moulder. The intellect uses the outward, as the sculptor uses marble, to
embody and speak its thought. It seizes upon a fact as upon a lever, to
separate and lift up some fraction of its meaning. From Nature, from
science, from experience, it traces laws, till they appear in itself,
and thus finds a thread to string its thought on.
Without Analogy, without this marrying of the inward and the outward,
there can be no speech, no expression. It is a necessity of our
condition. Spirit is cognizable by us only when endowed with a material
body; so an idea or a feeling can be stated only when it puts on the
form and definiteness of the sensuous, the empirical. Hence the highest
utterance is a perpetual marrying of thought with things, as in
poetry,--a lifting up of the actual and a bringing down of the
ideal,--giving a soul to the one and a body to the other. This takes
place more or less in all speech, but only with genius is it natural and
complete. Ordinary minds inherit their language and form of expression;
but with the poet, or natural sayer, a new step is taken, and new
analogies, new likenesses must be disclosed.
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