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Various

"Punch, or the London Charivari, Volume 1, November 27, 1841"


The next scene is the robing-room of the York Court-house; and the
curtains at the back are afterwards drawn aside to disclose a large
cupboard, meant to represent an assize-court. On one shelf of it is seated
a supposititious Judge, surrounded by some half-dozen pseudo female
spectators; the bottom shelf being occupied by counsel, attorney, crier of
the court, and plaintiff. The special jury are severally called in to
occupy the right-hand shelf; and when the cupboard is quite full, all the
forms of returning a verdict are gone through. This is for the plaintiff!
Mr. Aubrey is ruined; and _Mr. Titmouse_ jumps about, at the imminent risk
of breaking the cupboard to pieces, having already knocked down a counsel
or two, and rolled over his own attorney.
This idea of dramatising proceedings at _nisi prius_ only shows the state
of destitution into which the promoters of stage excitement have fallen.
The Baileys, Old and New, have, from constant use, lost their charms; the
police officers were completely worn out by Tom and Jerry, Oliver Twist,
&c.; so that now, all the courts left to be "done" for the drama are the
Exchequer and Ecclesiastical, Secondaries and Summonsing, Petty Sessions
and Prerogative.


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