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Cooper, James Fenimore, 1789-1851

"Tales for Fifteen, or, Imagination and Heart"

There was a reason
that secretly influenced Charlotte in electing her
evening's amusement, that was not known,
however, even to her friend.--George Morton played
on the German flute in a manner that vibrated on
her nerves with an exquisite thrill that she often
strove to conquer, and yet ever loved to indulge.
His musical powers were far from being generally
applauded, as they were thought to be deficient in
compass and variety; but Charlotte never
descended to criticism in music. She conceived it to
be an enjoyment for the senses only, or, rather,
she thought nothing about it; and if the rounds
failed to delight her, she unhesitatingly attributed
the circumstance to an absence of melody. It was
to listen to the flute of George Morton, then, that
the drawing-room of Mrs. Osgood was adorned with
the speaking countenance of Miss Henly.
Among the guests who made an early appearance
in this "Temple of Apollo," was the youth who had
attended the ladies in their walk. Seymour Delafield
glanced his eye impatiently around the apartment,
as soon as he had paid the customary compliments
to the mistress of the mansion and her bevy of fair
daughters; but a look of disappointment betrayed
the search to be an unsuccessful one. Both the look
and the result were noticed by Maria; and, turning a
glance of rather saucy meaning on the gentleman,
she said--
"I apprehend your flute, which, by the by, I am glad
to see you have brought, will be rather in the
PENSEROSO style this evening, Mr.


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