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Cooper, James Fenimore, 1789-1851

"Tales for Fifteen, or, Imagination and Heart"

The hero, himself, on hearing
such a gentle voice so softly replying to his
question, could not refrain from turning his face
into the carriage, and Julia felt her own eyes lower
before his earnest gaze, while her cheeks burned
with the blushes that suffused them. But the look
spoke volumes--he understands my "Antonio,"
thought Julia, and perceives that, to me, he is no
longer unknown. That expressive glance has opened
between us a communication that will cease but
with our lives. Julia now enjoyed, for the remainder
of their journey to Mr. Miller's, one of the greatest
pleasures of love--unsuspected by others, she could
hold communion with him who had her heart, by the
eyes, and a thousand tender and nameless little
offices which give interest to affection, and zest to
passion.
They had now got half way between the two cities,
and Charles took a seat by the side of the driver,
with the intention, as he expressed himself, of
stretching his legs: the carriage was open and light,
so that all of the figures of the two young men
could be seen by the ladies, as well as their
conversation heard. Charles never appeared to less
advantage in his person, thought Julia, than now,
seated by the side of the manly and noble Antonio.
The figure of Charles was light, and by no means
without grace; yet it did not strike the fancy of our
heroine as so fit to shield and support her through
life, as the more robust person of his companion.


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