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Du Maurier, George, 1834-1896

"Peter Ibbetson"


By just such a process, only with infinitely more pains (and in the end
with what pleasure and surprise), will he grow aware in time of a dim,
latent, antenatal experience that underlies his own personal experience
of this life.
We also found that we were able not only to assist as mere spectators at
such past scenes as I have described (and they were endless), but also
to identify ourselves occasionally with the actors, and cease for the
moment to be Mary Seraskier and Peter Ibbetson. Notably was this the
case with Gatienne. We could each be Gatienne for a space (though never
both of us together), and when we resumed our own personality again we
carried back with it a portion of hers, never to be lost again--a
strange phenomenon, if the reader will but think of it, and
constituting the germ of a comparative personal immortality on earth.
At my work in prison, even, I could distinctly remember having been
Gatienne; so that for the time being, Gatienne, a provincial French
woman who lived a hundred years ago, was contentedly undergoing penal
servitude in an English jail during the latter half of the
nineteenth century.
A questionable privilege, perhaps.
But to make up for it, when she was not alive in me she could be brought
to life in Mary (only in one at a time, it seemed), and travel by rail
and steamer, and know the uses of gas and electricity, and read the
telegrams of "our special correspondents" in the _Times_, and taste her
nineteenth century under more favorable conditions.


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