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Du Maurier, George, 1834-1896

"Peter Ibbetson"


For well as I might understand, I could not have spoken a word of
either, and the moment that slight contact was discontinued, they might
as well have been acting in Greek or Hebrew, for _me_.
But it was for music we cared the most, and I think I may say that of
music during those three years (and ever after) we have had our glut.
For all through her busy waking life Mary found time to hear whatever
good music was going on in London, that she might bring it back to me at
night; and we would rehear it together, again and again, and _da capo_.
It is a rare privilege for two private individuals, and one of them a
convict, to assist at a performance honored by the patronage and
presence of crowned heads, and yet be able to encore any particular
thing that pleases them. How often have we done that!
[Illustration]
Oh, Joachim! oh, Clara Schumann! oh, Piattil--all of whom I know so
well, but have never heard with the fleshly ear! Oh, others, whom it
would be invidious to mention without mentioning all--a glorious list!
How we have made you, all unconscious, repeat the same movements over
and over again, without ever from you a sign of impatience or fatigue!
How often have we summoned Liszt to play to us on his own favorite
piano, which adorned our own favorite sitting-room! How little he knew
(or will ever know now, alas!) what exquisite delight he gave us!
Oh, Pattit, Angelina! Oh, Santley and Sims Reeves! Oh, De Soria,
nightingale of the drawing-room, I wonder you have a note left!
And you, Ristori, and you, Salvini, et vous, divine Sarah, qui debutiez
alors! On me dit que votre adorable voix a perdu un peu de sa premiere
fraicheur.


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