"
* * * * *
[Illustration: The Minister of Labour (anxious to find work for the
ex-munitionette drawing unemployment pay). "HERE, MODOM, IS A CHARMING
MODEL WHICH WOULD SUIT YOU, IF I MAY SO PUT IT, DOWN TO THE GROUND."]
* * * * *
A CELTIC COUNTER-BLAST.
The continued domination of the Russians in the domain of the ballet
has already excited a certain amount of not unfriendly criticism. But
our Muscovite visitors are not to be allowed to have it all their own
way, and we understand that negotiations are already on foot with a
view to enabling the Irish Ballet to give a season at a leading London
theatre in the near future.
The Irish Ballet, which is organised on a strictly self-determining
basis, is one of the outcomes of the Irish Theatre, but derives in its
essentials directly from the school established by Cormac, son of Art.
That is to say it is in its aims, ideals and methods permeated by the
Dalecarlian, Fomorian, Brythonic and Firbolgian impulse. Mr. Fergal
Dindsenchus O'Corkery, the Director, is a direct descendant of
Cuchulinn and only uses the Ulidian, dialect. Mr. Tordelbach
O'Lochlainn, who has composed most of the ballets in the repertoire,
is a chieftain of mingled Dalcassian and Gallgoidel descent. The
scenery has been painted by Mr. Cathal Eochaid. MacCathamhoil, and the
dresses designed by Mr.
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