Could not the ghost with the close red cap,
My Pollajolo,<*7> the twice a craftsman,
Save me a sample, give me the hap
Of a muscular Christ that shows the draughtsman?
No Virgin by him the somewhat petty,
Of finical touch and tempera<*8> crumbly---
Could not Alesso Baldovinetti
Contribute so much, I ask him humbly?
XXVIII.
Margheritone of Arezzo,<*9>
With the grave-clothes garb and swaddling barret
(Why purse up mouth and beak in a pet so,
You bald old saturnine poll-clawed parrot?)
Not a poor glimmering Crucifixion,
Where in the foreground kneels the donor?
If such remain, as is my conviction,
The hoarding it does you but little honour.
XXIX.
They pass; for them the panels may thrill,
The tempera grow alive and tinglish;
Their pictures are left to the mercies still
Of dealers and stealers, Jews and the English,
Who, seeing mere money's worth in their prize,
Will sell it to somebody calm as Zeno
At naked High Art, and in ecstasies
Before some clay-cold vile Carlino!
XXX.
No matter for these! But Giotto, you,
Have you allowed, as the town-tongues babble it,---
Oh, never! it shall not be counted true---
That a certain precious little tablet
Which Buonarroti eyed like a lover,---
Was buried so long in oblivion's womb
And, left for another than I to discover,
Turns up at last! and to whom?---to whom?
XXXI.
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