One feels a special
gratitude to the composer who will write in these days a clear, simple,
original and beautiful melody.
The first interlude is a fantasy, almost a variant on the theme in a
minor melody of the wood, with a twittering phrase of violins. Later the
strings take up the theme in pure _cantilena_ in a turn to the
major,--all in expressive song that rises to a fervent height. Though it
grows out of the main theme, yet the change is clear in a return to the
subject, now in true variation, where the saxophone has the longer notes
and the clarinet and oboe sing in concert.
There follows a pure interlude, vague in motive, full of dainty touches.
The oboe has a kind of _arioso_ phrase with trilling of flutes and
clarinets, answered in trumpets and harp.
Later the first violins (on the G string) sing the main air with the
saxophone.
A double character has the third movement as the title shows, though in
a broadest sense it could all be taken as a Humoreske.
With a jaunty lilt of skipping strings the lower reeds strike the
capricious tune, where the full chorus soon falls in. The answering
melody, with more of sentiment, though always in graceful swing with
tricksy attendant figures, has a longer song. Not least charm has the
concluding tune that leads back to the whole melodious series.
Throughout are certain chirping notes that form the external connection
with the Humoreske that begins with strident theme (_molto robusto_) of
low strings, the whole chorus, xylophon and all, clattering about, the
high wood echoing like a band of giant crickets,--all in whimsical,
varying pace.
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