The heart of the idyll comes in a song of the clarinet
[Music: (Cl. _espressivo_)
(_Pizz._ strings with higher 8ve. of upper voice)
(Wood and horn and strings) (Clar. and bassoons)]
against strange, murmuring strings, ever with a soft answer of the lower
reed.
New invading sprites do not hem the flight of the melody. But at the
height a redoubled pace turns the mood back to revelling mirth with
broken bits of the horn tune. Indeed the crisis comes with a new rage of
this symbol of mad abandon, in demonic strife with the fervent song that
finally prevails.
The first theme returns with a new companion in the highest wood. A
fresh strain of serious melody is now woven about the former dulcet
melody of trumpet in a stretch of delicate poesy, of mingled mirth and
tenderness.--The harmonies have something of the infinitesimal sounds
that only insects hear. With all virtuous recoil, here we must confess
is a masterpiece of cacophonic art, a new world of tones hitherto
unconceived, tinkling and murmuring with the eerie charm of the
forest.--In the return of the first prelude is a touch of the descending
tone. From the final revelling tempest comes a sudden awakening. In
strange moving harmony sings slowly the descending symbol, as if
confessing the unsuccessful flight from regret. Timidly the vanquished
sprites scurry away.
_IV._--The first notes of the Finale blend and bring back the main
motives. First is the descending tone, but firm and resolute, with the
following triplet in
[Music: _Allegro energico_ (Higher figure in strings & wood)
(Wood, horns and lower strings) (Strings and wood)]
inversion of the Scherzo theme.
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