Strangely, after the full returning dance, an epilogue
[Music: (Trio) _Poco meno mosso_
(Strings)]
of the ballad appears over a drone, as of bagpipe, through all the
harmony of the madrigal. Strangest of all is the playful last refrain in
the high piccolo over the constant soft strumming strings.
The Andante, in pure lyric mood, is heavily charged with a certain
Oriental languor. The clarinet
[Music: (Clarinet)
_Andante_
(Strings with harp)]
leads the song, to rich strum of harp and strings, with its note of
sensuous melancholy. Other, more external signs there are of Eastern
melody, as in the graceful curl of quicker notes. Intermediate strains
between the verses seem gently to rouse the slumbering feeling,--still
more when they play between the lines of the song. The passion that is
lulled in the languor of main melody, is somehow uttered in the later
episode,--still more in the dual song of both
[Music: (Violins doubled below)
(Horns and bassoons doubled above in wood)
(Strings and horns)]
melodies,--though it quickly drops before a strange coquetry of other
strains. Yet the climax of the main song is reached when the lighter
phrase rings fervently in the high brass. Here the lyric beauty is
stressed in a richer luxuriance of rhythmic setting. Once more sings the
passionate tune; then in midst of the last verse of the main song is a
quick alarm of rushing harp. The languorous dream is broken; there is an
air of new expectancy.
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