Lord and master, hear me call!
Ever seems the flood to fill.
Ah, he's coming! see,
Great is my dismay!
Spirits raised by me
Vainly would I lay!
"To the side
Of the room
Hasten, broom,
As of old!
Spirits I have ne'er untied
Save to act as they are told."
In paragraphs are clearly pointed the episodes: the boy's delight at
finding himself alone to conjure the spirits; the invocation to the
water, recurring later as refrain (which in the French is not addressed
to the spirit); then the insistent summons of the spirit in the broom;
the latter's obedient course to the river and his oft-repeated fetching
of the water; the boy's call to him to stop,--he has forgotten the
formula; his terror over the impending flood; he threatens in his
anguish to destroy the broom; he calls once more to stop; the repeated
threat; he cleaves the spirit in two and rejoices; he despairs as two
spirits are now adding to the flood; he invokes the master who returns;
the master dismisses the broom to the corner.
There is the touch of magic in the first harmonics of strings, and the
sense of sorcery is always sustained in the strange harmonies.[A]
[Footnote A: The flageolet tones of the strings seem wonderfully
designed in their ghostly sound for such an aerial touch. Dukas uses
them later in divided violins, violas and cellos, having thus a triad of
harmonics doubled in the octave.
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