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Goepp, Philip H., 1864-1936

"Symphonies and Their Meaning; Third Series, Modern Symphonies"


[Music: (Strings and horns)
_ad lib. faster_]
When this has died down, the lapping waves, as in concert, strike in
full chord that spreads a hue of warmth, as of the first peep of sun. It
is indeed as though the waves rose towards the sun with a glow of
welcome.
In the wake of the first stirring shock is a host of soft cheering
sounds of bustling day, like a choir of birds or bells. The eager
madrigal leads to a final blast (with acclaiming chorus of big rocking
waves), echoed in golden notes of the horns. One slight touch has
heightened the hue to warmest cheer; but once do we feel the full glow
of risen sun.
The chilling shadows return, as the wistful air of hushed trumpet
sounds again. We hover between flashes of warming sun, until the waves
have abated; in soothing stillness the romantic horn[A] sings a lay of
legend.
[Footnote A: English horn.]
Now to friendly purling of playful wavelets, the sea moves in shifting
harmonies. In sudden climax the motion of the waves fills all the brass
in triumphant paean, in the gleam of high noon.

_II.--Play of the Waves._ There is a poetic background as for the play
of legend. We seem to be watching the sea from a window in the castle of
_Pelleas_. For there is a touch of dim romance in a phrase of the
clarinet.
The movement of waves is clear, and the unconscious concert of
sea-sounds, the deeper pulse of ocean (in the horns), the flowing
ripples, the sharp dash of lighter surf (in the Glockenspiel), all with
a constant tremor, an instability of element (in trembling strings).


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