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Goepp, Philip H., 1864-1936

"Symphonies and Their Meaning; Third Series, Modern Symphonies"

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_"THE SEA." THREE SYMPHONIC SKETCHES_
_I.--From Dawn to Noon on the Sea._ In awesome quiet of unsoothing
sounds we feel, over a dual elemental motion, a quick fillip as of
sudden lapping wave, while a shadowy air rises slowly in hollow
intervals. Midst trembling whispers descending (like the soughing
wind), a strange note, as of distant trumpet, strikes in gentle
insistence--out of the other rhythm--and blows a wailing phrase. The
trembling whisper has sunk to lowest depths. Still continues the lapping
of waves--all sounds of unhuman nature.
[Music: (Muted trumpet, with Eng. horns in lower 8ve.)
_Very slowly_
_Espressivo_
(Cellos with basses in lower 8ve.)]
On quicker spur the shadowy motive flits faster here and there in a slow
swelling din of whispering, to the insistent plash of wave. Suddenly the
sense of desolation yields to soothing play of waters--a _berceuse_ of
the sea--and now a song sings softly (in horn), though strangely jarring
on the murmuring lullaby. The soothing cheer is anon broken by a shift
of new tone. There is a fluctuation of pleasant and strange sounds; a
dulcet air on rapturous harmony is hushed by unfriendly plash of chord.
Back again in the quieter play of rhythm the strange, sweet song (of
horns) returns.
In a ravishing climax of gentle chorus of quick plashing waves and
swirling breeze the song sings on and the trumpet blows its line of tune
to a ringing phrase of the clarinet.


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