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Goepp, Philip H., 1864-1936

"Symphonies and Their Meaning; Third Series, Modern Symphonies"

On the abandon of grief follows the revel
of grim humor in pranks of mocking demons. All the strains are mingled
in the ghostly bacchanale. The descending song is answered in opposite
melody. A chorus of laughter follows the tripping dance. The summoning
chords, acclaimed by chorus, grow to appealing song in a brief lull. At
the height, to the united skipping dance of overpowering chorus the
brass blows the full verse of descending song. The rest is a mad storm
of carousing till ... out of the whirling darkness sudden starts the
sharp, sheer call of prosaic day, in high, shrill reed. On a minishing
sound of rolling drum and trembling strings, sings a brief line of
wistful rhapsody of the departing spirit before the last whisking steps.

_PHAETON_
On a separate page between title and score is a "_Notice_,"--an epitome
of the story of Phaeton, as follows:
"Phaeton has been permitted to drive the chariot of the Sun, his father,
through the heavens. But his unskilful hands frighten the steeds. The
flaming chariot, thrown out of its course, approaches the terrestrial
regions. The whole universe is on the verge of ruin when Jupiter strikes
the imprudent Phaeton with his thunderbolt."
There is a solemn sense at first (_Maestoso_), a mid-air poise of the
harmony, a quick spring of resolution and--on through the heavens. At
the outset and always is the pervading musical charm. In the beginning
is the enchantment of mere motion in lightest prancing strings and harp
with slowly ascending curve.


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