I had also other acquaintances of quite a different sort. One of them,
Madame Delestang, an imperious, handsome lady in a statuesque style,
would carry me off now and then on the front seat of her carriage to the
Prado, at the hour of fashionable airing. She belonged to one of the old
aristocratic families in the south. In her haughty weariness she used to
make me think of Lady Dedlock in Dickens's "Bleak House," a work of the
master for which I have such an admiration, or rather such an intense
and unreasoning affection, dating from the days of my childhood, that
its very weaknesses are more precious to me than the strength of other
men's work. I have read it innumerable times, both in Polish and
in English; I have read it only the other day, and, by a not very
surprising inversion, the Lady Dedlock of the book reminded me strongly
of the "belle Madame Delestang."
Her husband (as I sat facing them both), with his thin, bony nose and a
perfectly bloodless, narrow physiognomy clamped together, as it were,
by short, formal side whiskers, had nothing of Sir Leicester Dedlock's
"grand air" and courtly solemnity. He belonged to the haute bourgeoisie
only, and was a banker, with whom a modest credit had been opened for my
needs.
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