He has remained the only banjoist of my acquaintance, and
being also a younger son of a retired colonel, the poem of Mr. Kipling,
by a strange aberration of associated ideas, always seems to me to have
been written with an exclusive view to his person. When he did not
play the banjo he loved to sit and look at it. He proceeded to this
sentimental inspection, and after meditating a while over the strings
under my silent scrutiny inquired, airily:
"What are you always scribbling there, if it's fair to ask?"
It was a fair enough question, but I did not answer him, and simply
turned the pad over with a movement of instinctive secrecy: I could not
have told him he had put to flight the psychology of Nina Almayer, her
opening speech of the tenth chapter, and the words of Mrs. Almayer's
wisdom which were to follow in the ominous oncoming of a tropical night.
I could not have told him that Nina had said, "It has set at last."
He would have been extremely surprised and perhaps have dropped his
precious banjo. Neither could I have told him that the sun of my
sea-going was setting, too, even as I wrote the words expressing the
impatience of passionate youth bent on its desire.
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