But following very closely upon this comes a whole volume of street
romance. There are prettily shaped figures that go floating at
convenient hours for college observation along the thoroughfares of the
town. And these figures come to be known, and the dresses, and the
streets; and even the door-plate is studied. The hours are ascertained,
by careful observation and induction, at which some particular figure is
to be met,--or is to be seen at some low parlor-window, in white summer
dress, with head leaning on the hand, very melancholy, and very
dangerous. Perhaps her very card is stuck proudly into a corner of the
mirror in the college-chamber. After this may come moonlight meetings at
the gate, or long listenings to the plaintive lyrics that steal out of
the parlor-windows, and that blur wofully the text of the Conic
Sections.
Or perhaps she is under the fierce eye of some Cerberus of a
schoolmistress, about whose grounds you prowl piteously, searching for
small knot-holes in the surrounding board fence, through which little
_souvenirs_ of impassioned feeling may be thrust. Sonnets are written
for the town papers, full of telling phrases, and with classic allusions
and foot-notes which draw attention to some similar felicity of
expression in Horace or Ovid.
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