And I can. In one click. And then I can make up my own mind.
You don't get far in the arts without healthy doses of both ego
and insecurity, and the downside of being able to google up all
the things that people are saying about your book is that it can
play right into your insecurities -- "all these people will have
it in their minds not to bother with my book because they've read
the negative interweb reviews!" But the flipside of that is the
ego: "If only they'd give it a shot, they'd see how good it is."
And the more scathing the review is, the more likely they are to
give it a shot. Any press is good press, so long as they spell
your URL right (and even if they spell your name wrong!).
5. Ebooks need to embrace their nature. [Ebooks need to embrace
their nature.] The distinctive value of ebooks is orthagonal to
the value of paper books, and it revolves around the mix-ability
and send-ability of electronic text. The more you constrain an
ebook's distinctive value propositions -- that is, the more you
restrict a reader's ability to copy, transport or transform an
ebook -- the more it has to be valued on the same axes as a
paper-book. Ebooks *fail* on those axes. Ebooks don't beat
paper-books for sophisticated typography, they can't match them
for quality of paper or the smell of the glue.
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